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JUNE 2022
Berkshire Opera Festival Announces Three Decembers


Brian Garman & Jonathon Loy, Co-Founders • Abigail Rollins, Executive Director


opens its '22 summer season at PS21 in Chatham NY with a
captivating 90-minute American chamber opera about family:

Three Decembers

Music by Jake Heggie • Libretto by Gene Scheer
Based on a play by Terrence McNally

Conducted by Christopher James Ray in a new production by Beth Greenberg

The story follows a family (a famous Broadway actress and her two adult children)
through 3 decades—1986, 1996, 2006—as they grapple with
AIDS, addiction, dysfunction, and deceit 

Starring a cast of three:
Mezzo ADRIANA ZABALA as Madeline Mitchell
Soprano MONICA DEWEY as Beatrice
Baritone THEO HOFFMAN as Charlie

Thursday, July 21, 7:30pm
Saturday, July 23, 1pm

Performed in residence at PS21's open-air Pavilion Theater,
the "Hudson Valley outpost of the avant-garde" (NYT)
in Chatham, NY



The spirited and ambitious Berkshire Opera Festival opens its 2022 summer season with a compelling new production of Jake Heggie's intimate THREE DECEMBERS on July 21 and 23 at PS21 in Chatham, NY, conducted by Christopher James Ray and directed by Beth Greenberg. This contemporary American opera is based on Tony Award-winning playwright Terrence McNally's original script for Some Christmas Letters. It marks BOF's 2nd Second Stage event, following Tom Cipullo's highly praised Glory Denied last summer.

BOF is thrilled to partner for the first time with PS21, a state-of-the-art green-energy theater which has evolved into the Hudson Valley's mecca for innovative programming. Jesse Green in The New York Times describes PS21's newly built theater as a “beautiful, reconfigurable indoor-outdoor space that appears to have landed like an exotic bird in the midst of a 100-acre former apple orchard."

THREE DECEMBERS tells the story of aging Broadway star Madeline Mitchell and her two adult children, Beatrice and Charlie. The drama takes place over 20 years of the AIDS crisis (1986, 1996, 2006), each section recalling the events of a December as the characters struggle to connect and heal old wounds when family secrets are revealed.

Stage Director Beth Greenberg, renowned for her work with New York City Opera, says of the opera: “Buried secrets...dark, and devastating loss...all collide and burst forth in Three Decembers. With its skillful balance of drama and èlan, the work probes the fraught relationships between a successful actress-mother and her two children—a daughter coping with a failing marriage, and her young, gay son at the beginnings of the AIDS epidemic.”

After its premiere in 2008 with Houston Grand Opera, THREE DECEMBERS was greeted by wide critical acclaim. Opera Today declared: "Three Decembers is a modern masterpiece…Heggie’s voice remains his own—closer here to Broadway than the Met. It is music that speaks to the heart; it provokes feeling and demands emotional reaction."

Starring in the lead role of Madeline Mitchell is mezzo-soprano Adriana Zabala, who has been hailed by the Los Angeles Times as "an extraordinary, vibrant mezzo." Zabala returns to Berkshire Opera Festival after stunning performances in the 2017 production of Strauss's Ariadne auf Naxos and 2020 premiere of Steven Mark Kohn's The Trial of Susan B. Anthony. Of her performance in Ariadne, The Berkshire Record wrote: "Mezzo-soprano Adriana Zabala took the difficult first act role of The Composer and made it her own. Singing with vivacious expression, her voice has a refined quality, so easy on the ear. A great performance, met by wild applause.”

Two exciting singers make their Berkshire Opera Festival debuts, opposite Zabala. Monica Dewey, the versatile soprano, LGBTQ+ advocate, and lively performer of the Metropolitan Opera, plays the unhappily married alcoholic daughter Beatrice. In an interview with Opera News, F. Paul Driscoll states, "Monica Dewey’s conversation is exactly like her singing—cool, clear, brimming with intelligence and charged with humor.” Baritone Theo Hoffman plays the troubled son Charlie, whose partner is very sick with AIDS. The Los Angeles Times writes: "Hoffman’s strong, warm voice filled the space...This was a performance so visceral, so equally raw and refined, it felt completely fresh."

PS21’s Black Box/open-air Pavilion configuration is conceived as a home for intimate-scaled productions, and is ideal for this iteration of THREE DECEMBERS. BOF and PS21 are aligned in their values of supporting the future of opera by presenting new and contemporary performances with world-class artists, and making them accessible to everyone in the region.

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